Hans Theodor Woldsen Storm (14 September 1817 â" 4 July 1888), commonly known as Theodor Storm, was a German writer.
Storm was born in the small town of Husum, on the west coast of Schleswig, then a formally independent duchy ruled by the king of Denmark. His parents were the lawyer Johann Casimir Storm (1790-1874) and Lucie Storm, nÃ©e Woldsen (1797-1879).
Storm went to school in Husum and LÃ¼beck and studied law in Kiel and Berlin. While still a law student he published a first volume of verse together with the brothers Tycho and Theodor Mommsen.
From 1843 until his admission was revoked by Danish authorities in 1852, he worked as a lawyer in his home town of Husum. In 1853 Storm moved to Potsdam, moving on to Heiligenstadt in Thuringia in 1856. He returned to Husum in 1865 after Schleswig had come under Prussian rule and became a district magistrate ("Landvogt"). In 1880 Storm moved to Hademarschen, where he spent the last years of his life writing, and died of cancer at the age of 70.
Storm was married twice, first to Konstanze Esmarch, who died in 1864, and then to Dorothea Jensen.
Storm was one of the most important authors of 19th-century German Literary realism. He wrote a number of stories, poems and novellas. His two best-known works are the novellas Immensee (1849) and Der Schimmelreiter ("The Rider on the White Horse"), first published in April 1888 in the Deutsche Rundschau. Other published works include a volume of his poems (1852), the novella Pole PoppenspÃ¤ler (1874) and the novella Aquis submersus (1877).
Like Friedrich Hebbel Theodor Storm was a child of the North Sea plain, but, whilst in Hebbel's verse there is hardly any direct reference to his native landscape, Storm again and again revisits the chaste beauty of its expansive mudflats, menacing sea and barren pastures â" and whilst Hebbel could find a home away from his native heath Storm clung to it with what may be called a jealous love. In Der Schimmelreiter, the last of his 50 novellas and widely considered Storm's culminating masterpiece, the setting of the rural North German coast is central to evoking its unnerving, superstitious atmosphere and sets the stage for the battleground of man versus nature - the dykes and the sea.
His favourite poets were Joseph von Eichendorff and Eduard MÃ¶rike, and the influence of the former is plainly discernible even in Storm's later verse. During a summer visit to Baden-Baden in 1864, where he had been invited by his friend, the author and painter Ludwig Pietsch, he made the acquaintance of the great Russian writer Ivan Turgenev. They exchanged letters and sent each other copies of their works over a number of years.
A poem about his hometown Husum, the grey town by the grey sea (German: Die graue Stadt am grauen Meer).
Analysis and original text of the poem from A Book of German Lyrics, ed. Friedrich Bruns, which is available in Project Gutenberg at UNC.edu.
- Theodor Storm: The Rider on the White Horse and selected stories. Translated by James Wright. New York 2009.
- Theodor Storm: Carsten the Trustee & Other Fiction. Translated by Denis Jackson. Angel Books 2009.
- Theodor Storm: Paul the Puppeteer and Other Short Fiction. Translated by Denis Jackson. Angel Books 2004.
- Theodor Storm: Hans and Heinz Kirch with Immensee & Journey to a Hellig. Translated by Denis Jackson & Anja Nauck. Angel Books 1999.
- Theodor Storm: The Dykemaster. Translated by Denis Jackson. Angel Books 1996.
- David Dysart: The Role of Paintings in the work of Theodor Storm. New York - Frankfurt 1993.
- Norma Curtis Wood: Elements of Realism in the prose writings of Theodor Storm. Cambridge 2009.
- Media related to Theodor Storm at Wikimedia Commons
- Works by Theodor Storm at Project Gutenberg
- Works by or about Theodor Storm at Internet Archive
- Works by Theodor Storm at LibriVox (public domain audiobooks)
- Theodor Storm and his world
- Biography and many works by Storm
- Der Schimmelreiter (Audiobook in German)
- All poems of Theodor Storm
- Â Chisholm, Hugh, ed. (1911). "Storm, Theodor Woldsen". EncyclopÃ¦dia Britannica (11th ed.). Cambridge University Press.Â