The Colossus and Other Poems is a poetry collection by American poet Sylvia Plath, first published by William Heinemann, in 1960.
Contents
The 44 poems presented here are in the published order
- "The Manor Garden"
- "Two Views of a Cadaver Room"
- "Night Shift"
- "Sow"
- "The Eye-mote"
- "Hardcastle Crags"
- "Faun"
- "Departure"
- "The Colossus"
- "Lorelei"
- "Point Shirley"
- "The Bull of Bendylaw"
- "All the Dead Dears"
- "Aftermath"
- "The Thin People"
- "Suicide Off Egg Rock"
- "Mushrooms"
- "I Want, I Want"
- "Watercolor of Grantchester Meadows"
- "The Ghost's Leavetaking"
- "A Winter Ship"
- "Full Fathom Five"
- "Blue Moles"
- "Strumpet Song"
- "Man in Black"
- "Snakecharmer"
- "The Hermit at Outermost House"
- "The Disquieting Muses"
- "Medallion"
- "The Companionable Ills"
- "Moonrise"
- "Spinster"
- "Frog Autumn"
- "Mussel Hunter at Rock Harbor"
- "The Beekeeper's Daughter"
- "The Times Are Tidy"
- "The Burnt-out Spa"
- "Sculptor"
- "Flute Notes from a Reedy Pond"
- "The Stones"
Critical reception
Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:
"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."
Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."