Emil Erich KÃ¤stner (German: [ËÊ"eËÊÉªÃ§ ËkÉstnÉ]; 23 February 1899 â" 29 July 1974) was a German author, poet, screenwriter and satirist, known primarily for his humorous, socially astute poems and for children's books including Emil and the Detectives. He received the international Hans Christian Andersen Medal in 1960 for his autobiography Als ich ein kleiner Junge war.
KÃ¤stner was born in Dresden, Saxony, and grew up on KÃ¶nigsbrÃ¼cker StraÃe in Dresden's ÃuÃere Neustadt. (The Erich KÃ¤stner Museum is located nearby, on the ground floor of a villa on AntonstraÃe that used to belong to KÃ¤stner's uncle Franz Augustin.)
KÃ¤stner's father, Emil Richard KÃ¤stner, was a master saddlemaker. His mother, Ida Amalia (nÃ©e Augustin), had been a maidservant, but in her thirties she trained as a hairstylist in order to supplement her husband's income. KÃ¤stner had a particularly close relationship with his mother. When he was living in Leipzig and Berlin, he wrote her fairly intimate letters and postcards almost every day, and overbearing mothers make regular appearances in his writings. It has been rumored that Erich KÃ¤stner's natural father was the family's Jewish doctor, Emil Zimmermann (1864â"1953), but these rumors have never been substantiated. KÃ¤stner wrote about his childhood in his autobiography Als ich ein kleiner Junge war (1957, translated as When I Was a Little Boy). According to KÃ¤stner, he did not suffer from being an only child, had many friends, and was not lonely or overindulged.
In 1913, KÃ¤stner entered a teacher training school in Dresden. However, he dropped out in 1916 shortly before completing the exams that would have qualified him to teach in state schools. He was drafted into the Army in 1917 and was stationed with a heavy artillery company. The brutality of the military training he underwent and the slaughter he witnessed strongly influenced his later antimilitarism. The merciless drilling he was subjected to by his training officer, Sergeant Waurich, also caused a lifelong heart condition. KÃ¤stner portrays this in his poem Sergeant Waurich.
After the end of the war, KÃ¤stner went back to school and passed the Abitur exam with distinction, earning a scholarship from the city of Dresden.
In the autumn of 1919, KÃ¤stner enrolled at the University of Leipzig to study history, philosophy, German studies, and theater. His studies took him to Rostock and Berlin, and in 1925 he received a doctorate for a thesis on Frederick the Great and German literature. He paid for his studies by working as a journalist and critic for a newspaper, the Neue Leipziger Zeitung. However, his increasingly critical reviews, and the "frivolous" publication of his erotic poem Abendlied des Kammervirtuosen (Evening Song of the Chamber Virtuoso) with illustrations by Erich Ohser, led to his dismissal in 1927. That same year, he moved to Berlin, although he continued to write for the Neue Leipziger Zeitung under the pseudonym "Berthold BÃ¼rger" ("Bert Citizen") as a freelance correspondent. KÃ¤stner later used several other pseudonyms, including "Melchior Kurtz," "Peter Flint," and "Robert Neuner".
KÃ¤stner's years in Berlin, from 1927 until the end of the Weimar Republic in 1933, were his most productive. He published poems, newspaper columns, articles, and reviews in many of Berlin's important periodicals. He was a regular contributor to dailies such as the Berliner Tageblatt and the Vossische Zeitung, as well as to Die WeltbÃ¼hne. Hans Sarkowicz and Franz Josef GÃ¶rtz, the editors of his complete works (1998), list over 350 articles written between 1923 and 1933, but he must have written even more, since many texts are known to have been lost when KÃ¤stner's flat was burned down during a bombing raid in February 1944.
KÃ¤stner published his first book of poems, Herz auf Taille, in 1928, and by 1933 he had published three more collections. His Gebrauchslyrik (Lyrics for Everyday Use) made him one of the leading figure of the Neue Sachlichkeit movement, which focused on using a sobering, distant and objective style to satirise contemporary society.
In the autumn of 1928, he published his best-known children's book, Emil und die Detektive, illustrated by Walter Trier. The owner of the WeltbÃ¼hne publishing house, Edith Jacobsen, had suggested the idea of writing a detective story to KÃ¤stner. The book sold two million copies in Germany alone and has since been translated into 59 languages. The novel was unusual in that, in contrast to most children's literature of the period, it is set in contemporary Berlin and not in a fairy-tale world. KÃ¤stner also refrained from overt moralising, letting the characters' actions speak for themselves. Its sequel, Emil und die Drei Zwillinge (1933; Emil and the Three Twins) takes place on the shores of the Baltic. The Emil books may have influenced the creation of other books in the subgenre of literature about child detectives. Emil und die Detektive has been adapted for the cinema five times, three of them in Germany: in 1931, 1935(UK), 1954, 1964 (U.S.), and 2001.
KÃ¤stner followed this success with PÃ¼nktchen und Anton (1931) and Das fliegende Klassenzimmer (1933). Walter Trier's illustration helped to make these books very popular too. Das fliegende Klassenzimme has been adapted for the cinema twice, in 1954, by Kurt Hoffmann, and in 1973, by Werner Jacobs.
In 1932 KÃ¤stner wrote Der 35. Mai (The 35th of May), which is set in a fantasy land entered via a wardrobe and includes futuristic features such as mobile phones.
Gerhard Lamprecht's film version of Emil und die Detektive (1931) was a great success. KÃ¤stner, however, was dissatisfied with the screenplay, and that led him to become a screenwriter for the Babelsberg film studios.
KÃ¤stner's only major adult novel, Fabian, was published in 1931. KÃ¤stner included rapid cuts and montages in it, in an attempt to mimic cinematic style. Fabian, an unemployed literary expert, experiences the uproariously fast pace of the times as well as the downfall of the Weimar Republic.
From 1927 until 1931, KÃ¤stner lived at Prager StraÃe 17 (today near no. 12) in Berlinâ"Wilmersdorf and after that, until February 1945, at RoscherstraÃe 16 in Berlin-Charlottenburg.
KÃ¤stner was a pacifist and wrote for children because of his belief in the regenerative powers of youth. He was opposed to the Nazi regime and was one of the signatories to the Urgent Call for Unity. However, unlike many other authors critical of the dictatorship, KÃ¤stner did not go into exile. After the Nazis' rise to power, he visited Meran and Switzerland and met with exiled writers, yet he returned to Berlin, arguing that there he would be better able to chronicle events. It is probable that he also wanted to avoid abandoning his mother. His Necessary Answer to Superfluous Questions (Notwendige Antwort auf Ã¼berflÃ¼ssige Fragen) in Kurz und BÃ¼ndig explains KÃ¤stner's position:
- I'm a German from Dresden in Saxony
- My homeland won't let me go
- I'm like a tree that, grown in Germany,
- Will likely wither there also.
The Gestapo interrogated KÃ¤stner several times, the national writers' guild expelled him, and the Nazis burned his books as "contrary to the German spirit" during the book burnings of 10 May 1933, instigated by Joseph Goebbels. KÃ¤stner witnessed the event in person and later wrote about it. He was denied membership of the new Nazi-controlled national writers' guild, Reichsverband deutscher Schriftsteller (RDS), because of what its officials called the "culturally Bolshevist attitude in his writings prior to 1933."
During the Third Reich, KÃ¤stner published apolitical novels such as Drei MÃ¤nner im Schnee (Three Men in the Snow) (1934) in Switzerland. In 1942, he received a special exemption to write the screenplay for MÃ¼nchhausen, using the pseudonym Berthold BÃ¼rger. The film was a prestige project by Ufa Studios to celebrate the twenty-fifth anniversary of its establishment, an enterprise backed by Goebbels.
In 1944, KÃ¤stner's home in Berlin was destroyed during a bombing raid. In early 1945, he and others pretended that they had to travel to the rural community of Mayrhofen in Tyrol for location shooting for a (non-existent) film, Das falsche Gesicht (The Wrong Face). The actual purpose of the journey was to avoid the final Soviet assault on Berlin. KÃ¤stner was in Mayrhofen when the war ended. He wrote about this period in a diary published in 1961 under the title Notabene 45. Another edition, closer to KÃ¤stner's original notes, was published in 2006 under the title Das Blaue Buch (The Blue Book).
KÃ¤stner and the bombing of Dresden
In his diary for 1945, published many years later, KÃ¤stner describes his shock at arriving in Dresden shortly after it was firebombed in February that year and finding it a pile of ruins in which he could recognise none of the streets or landmarks among which he had spent his childhood and youth.
His autobiography Als ich ein kleiner Junge war begins with a lament for Dresden (quoted from the English translation, When I Was a Little Boy): "I was born in the most beautiful city in the world. Even if your father, child, was the richest man in the world, he could not take you to see it, because it does not exist any more. ... In a thousand years was her beauty built, in one night was it utterly destroyed."
After the end of the war KÃ¤stner moved to Munich, where he became culture editor for the Neue Zeitung and publisher of Pinguin, a magazine for children and young people. He was also active in literary cabaret, in productions at the Schaubude (1945â"1948) and Die kleine Freiheit (after 1951),and in radio. During this time, he wrote a number of skits, songs, audio plays, speeches, and essays about National Socialism, the war years, and the stark realities of life in post-war Germany. Most notable among these works are Marschlied 1945 and Deutsches Ringelspiel. He also continued to write children's books, including Die Konferenz der Tiere (The Animals' Conference), a pacifist satire in which the world's animals unite to successfully force humans to disarm and make peace. This picture book was made into an animated film by Curt Linda. KÃ¤stner also renewed his collaboration with Edmund Nick, whom he had met in Leipzig in 1929, when Nick, then Head of the Music Department at Radio Silesia, wrote the music for KÃ¤stner's radio play Leben in dieser Zeit. Nick, now the Musical Director at the Schaubude, set more than 60 of KÃ¤stner's songs to music.
KÃ¤stner's optimism in the immediate post-war era gave way to resignation as Germans in the West attempted to normalize their lives following the economic reforms of the early 1950s and the ensuing "economic miracle" ("Wirtschaftswunder"). He became further disillusioned as Chancellor Konrad Adenauers remilitarized West Germany, made it a member of NATO, and rearmed it for possible military conflict with the Warsaw Pact. KÃ¤stner remained a pacifist and spoke out at anti-militarist Ostermarsch demonstrations against the stationing of nuclear weapons in West Germany. Later, he also took a stand against the Vietnam War.
KÃ¤stner began to publish less and less, partly because of his increasing alcoholism. He did not join any of the post-war literary movements in West Germany, and in the 1950s and 1960s he came to be perceived mainly as an author of children's books.
His novel Fabian was made into a movie in 1980, as were several of his children's books. The most popular of these adaptations were the two U.S. versions of The Parent Trap, made in 1961 and 1998, and based on his novel Das doppelte Lottchen (Lottie and Lisa).
In 1960 KÃ¤stner received the Hans Christian Andersen Award for Als ich ein kleiner Junge war, his autobiography. The English translation by Florence and Isabel McHugh, published as When I Was a Little Boy in 1959, won the Lewis Carroll Shelf Award in 1961.
KÃ¤stner received several other awards, including the Filmband in Gold for best screenplay for the German film version of Das doppelte Lottchen (1951), the literary prize of the city of Munich in 1956, and the Georg BÃ¼chner Prize in 1957. The government of West Germany honored KÃ¤stner with its order of merit, the Bundesverdienstkreuz (Federal Cross of Merit), in 1959. In 1968 he received the Lessing-Ring together with the literary prize of the German Masonic Order.
In 1951, KÃ¤stner was elected President of the PEN Center of West Germany, and he remained in office until 1961. In 1965 he became President Emeritus. He was also instrumental in the founding of the Internationale Jugendbibliothek, a library of children's books, in Munich. In 1953 he was founding member of IBBY (International Board on Books for Young People).
KÃ¤stner never married. He wrote his last two children's books, Der kleine Mann and Der kleine Mann und die kleine Miss, for his son Thomas KÃ¤stner, who was born in 1957.
KÃ¤stner frequently read from his works. In the 1920s, he recorded some of his poems of social criticism and in some of the films based on his books he performed as the narrator, as he did for the first audio production of PÃ¼nktchen und Anton. Other recordings for Deutsche Grammophon include poems, epigrams, and his version of the folk tale Till Eulenspiegel. He also read in theaters, such as the CuvilliÃ©s Theatre in Munich, and for the radio, for which he read Als ich ein kleiner Junge war and other works.
KÃ¤stner died of esophageal cancer on 29 July 1974 in the Neuperlach Hospital in Munich. He was buried in the St. George cemetery in the Bogenhausen district of Munich. Shortly after his death, the Bavarian Academy of Arts established a literary prize in his name.
A list of his works under their German titles, arranged by their German publication dates:
- Herz auf Taille, 1928
- Emil und die Detektive, 1929 (Emil and the Detectives)
- LÃ¤rm im Spiegel, 1929
- Ein Mann gibt Auskunft, 1930
- PÃ¼nktchen und Anton, 1931 (Anna Louise and Anton)
- Der 35. Mai, 1931 (The 35th of May, or Conrad's Ride to the South Seas)
- Fabian. Die Geschichte eines Moralisten, 1932 (Fabian, the Story of a Moralist; republished as Going to the Dogs: The Story of a Moralist by New York Review Books Classics, November 6, 2012, ISBN 9781590175842)
- Gesang zwischen den StÃ¼hlen, 1932
- Emil und die Drei Zwillinge 1933 (Emil and the Three Twins)
- Das fliegende Klassenzimmer, 1933 (The Flying Classroom)
- Drei MÃ¤nner im Schnee, 1934 (Three Men in the Snow)
- Die verschwundene Miniatur, 1935 (The Missing Miniature)
- Doktor Erich KÃ¤stners Lyrische Hausapotheke, 1936 (Doctor Erich KÃ¤stner's Lyrical Medicine Chest)
- Georg und die ZwischenfÃ¤lle, (aka Der kleine Grenzverkehr) 1938 (A Salzburg Comedy)
- Das doppelte Lottchen, 1949 (Lottie and Lisa; republished as The Parent Trap)
- Die Konferenz der Tiere, 1949
- Die dreizehn Monate, 1955
- Als ich ein kleiner Junge war 1957 (When I Was a Little Boy)
- Der kleine Mann 1963 (The Little Man)
- Der kleine Mann und die kleine Miss 1967 (The Little Man and the Little Miss)
- Mein Onkel Franz 1969
- Volker Ladenthin, "Erich KÃ¤stner, the Innovator: Modern Books for Modern Kids", Volker Ladenthin and Susanne Hucklenbroich-Ley, ed., Erich KÃ¤stner Jahrbuch vol. 3, WÃ¼rzburg 2004, pp.Â 19â"26
- Erich KÃ¤stner Museum Dresden
- Erich KÃ¤stner (1899â"1974) at Pegasos (Finland, kirjasto.sci.fi)
- Literature by and about Erich KÃ¤stner in the German National Library catalogue
- Erich KÃ¤stner at the Internet Movie Database
- Erich KÃ¤stner at Find a Grave