In Greek mythology, Leucothea (Greek: Leukothea (ÎÎµÏ ÎºÎ¿Î¸ÎÎ±), "white goddess") was one of the aspects under which an ancient sea goddess was recognized, in this case as a transformed nymph.
In the more familiar variant, Ino, the daughter of Cadmus, sister of Semele, and queen of Athamas, became a goddess after Hera drove her insane as a punishment for caring for the newborn Dionysus. She leapt into the sea with her son Melicertes in her arms, and out of pity, the Hellenes asserted, the Olympian gods turned them both into sea-gods, transforming Melicertes into Palaemon, the patron of the Isthmian games, and Ino into Leucothea.
In the version sited at Rhodes, a much earlier mythic level is reflected in the genealogy: there, the woman who plunged into the sea and became Leucothea was Halia ("of the sea", a personification of the saltiness of the sea) whose parents were from the ancient generation, Thalassa and Pontus or Uranus. She was a local nymph and one of the aboriginal Telchines of the island. Halia became Poseidon's wife and bore him Rhodos/Rhode and six sons; the sons were maddened by Aphrodite in retaliation for an impious affront, assaulted their sister and were confined beneath the Earth by Poseidon. Thus the Rhodians traced their mythic descent from Rhode and the Sun god Helios.
In the Odyssey (5.333 ff.) Leucothea makes a dramatic appearance as a gannet who tells the shipwrecked Odysseus to discard his cloak and raft and offers him a veil (ÎºÏÎ®Î´ÎµÎ¼Î½Î¿Î½, kredemnon) to wind round himself to save his life and reach land. Homer makes her the transfiguration of Ino. In Laconia, she has a sanctuary, where she answers people's questions about dreams. This is her form of the oracle.
Leucothea is mentioned by Robert Graves in The White Goddess.
In Ezra Pound's Cantos, she is one of the goddess figures who comes to the poet's aid in Section: Rock-Drill (Cantos 85â"95). She is introduced in Canto 91 as "Cadmus's daughter":
As the sea-gull ÎÎ¬Î´Î¼Î¿Ï Î¸Ï Î³Î¬ÏÎ·Ï said to Odysseus
Â Â Â Â Â Â "get rid of parap[h]ernalia"
She returns in Cantos 93 ("ÎÎ¬Î´Î¼Î¿Ï Î¸Ï Î³Î¬ÏÎ·Ï") and 95 ("ÎÎ¬Î´Î¼Î¿Ï Î¸Ï Î³Î¬ÏÎ·Ï/ bringing light per diafana/ Î»ÎµÏ Îºá½Ï ÎÎµÏ ÎºÏÎ¸Î¿Îµ/ white foam, a sea-gull... 'My bikini is worth yr/ raft'. Said Leucothae... Then Leucothea had pity,/'mortal once/ Who now is a sea-god...'"), and reappears at the beginning of Canto 96, the first of the Thrones section ("ÎÏÎ®Î´ÎµÎ¼Î½Î¿Î½.../ ÎºÏÎ®Î´ÎµÎ¼Î½Î¿Î½.../ and the wave concealed her,/ dark mass of great water.").
Leucothea appears twice in Dialoghi con LeucÃ² (Dialogues with LeucÃ²) by Cesare Pavese.
LeucothoÃ© was the first work by the Irish playwright Isaac Bickerstaffe published in 1756.
Leucothea becomes a metaphor, in Marcel Proust's In the Shadow of Young Girls in Flower, for the mist that covers a young man's gaze when looking on the beauty of young women: "...a cloud that had re-formed a few days later, once I had met them, muting the glow of their loveliness, often passing between them and my eyes, which saw them now dimmed, as through a gentle haze, reminiscent of Virgil's Leucothea."
A similar name is carried by two other characters in Greek mythology.
- LeucothoÃ«: a princess, daughter of Orchamus and sister of Clytia, LeucothoÃ« was loved by Helios, who disguised himself as LeucothoÃ«'s mother to gain entrance to her chambers. Clytia, jealous of her sister because she wanted Helios for herself, told Orchamus the truth, betraying her sister's trust and confidence in her. Enraged, Orchamus ordered LeucothoÃ«, who claimed Helios had forced her to succumb to his desires, buried alive. Helios changed LeucothoÃ«'s lifeless body into an incense plant. Helios refused to forgive Clytia for betraying his beloved, and a grieving Clytia wilted and slowly turned into a heliotrope, which follows the sun every day.
- LeucothoÃ«, one of the Nereids.
- Burkert, Walter. Greek Religion, 1985.
- Graves, Robert. The Greek Myths, 1955.
- Kerenyi, Karl. The Gods of the Greeks, 1951.