Jerzy KosiÅ„ski

Jerzy KosiÅ„ski (Polish pronunciation:Â [ËˆjÉ›ÊÉ¨ kÉ"ËˆÉ•iÉ²skÊ²i]; June 14, 1933 â€" May 3, 1991), born JÃ³zef Lewinkopf, was an award-winning Polish-American novelist and two-time President of the American Chapter of P.E.N., who wrote primarily in English. Born in Poland, he survived World War II and, as a young man, emigrated to the U.S., where he became a citizen.

He was known for various novels, among them The Painted Bird (1965) and Being There (1971), which was adapted as an Academy Award-winning film (1979).

Early life, teaching, and marriage

KosiÅ„ski was born JÃ³zef Lewinkopf to Jewish parents in ÅÃ³dÅº, Poland. As a child during World War II, he lived in central Poland under a false identity, Jerzy KosiÅ„ski, which his father gave to him. A Roman Catholic priest issued him a forged baptismal certificate, and the Lewinkopf family survived the Holocaust thanks to local villagers who offered assistance to Jewish Poles, often at great risk. (The penalty for helping Jews in Nazi- Germany-occupied Poland was death for all members of a family and sometimes for the inhabitants of the village). KosiÅ„ski's father was assisted not only by town leaders and clergymen, but also by individuals such as Marianna Pasiowa, a member of an underground network that helped Jews evade capture. The family lived openly in DÄ…browa Rzeczycka, near Stalowa Wola, and attended church in nearby Wola Rzeczycka, with the support of villagers in KÄ™pa Rzeczycka. For a time, they were sheltered by a Catholic family in Rzeczyca OkrÄ…gÅ‚a. Jerzy even served as an altar boy in the local church.

After the war ended, KosiÅ„ski and with his parents moved to Jelenia GÃ³ra, and by age 22 he had earned two graduate degrees, in history and sociology, at the University of ÅÃ³dÅº. He then became an associate professor at the Polish Academy of Sciences. Kosinski also studied in the Soviet Union, and served as a sharpshooter in the Polish Army.

In order to emigrate to the United States in 1957, he created a fake foundation, which supposedly sponsored him. He later claimed he forged the letters from prominent communist authorities guaranteeing his loyal return to Poland, as were then required for anyone leaving the country.

First worked at odd jobs to get by, including driving a truck, KosiÅ„ski managed to graduate from Columbia University. He became an American citizen in 1965. He also received grants from the Guggenheim Fellowship in 1967 and the Ford Foundation in 1968. In 1970, he won the American Academy of Arts and Letters award for literature. The grants allowed him to write a political non-fiction book that opened new doors of opportunity. He became a lecturer at Yale, Princeton, Davenport, and Wesleyan Universities.

In 1962, KosiÅ„ski married an American steel heiress, Mary Hayward Weir. They divorced four years later. Weir died in 1968 from brain cancer, leaving KosiÅ„ski out of her will. He would fictionalize his marriage in his novel Blind Date, speaking of Weir under pseudonym Mary-Jane Kirkland. KosiÅ„ski later married Katherina "Kiki" von Fraunhofer, a marketing consultant and a member of the Bavarian nobility.

Death

KosiÅ„ski suffered from multiple illnesses towards the end of his life, and he was under attack from journalists who accused him of plagiarism. By his late 50s, he was suffering from an irregular heartbeat, as well as severe physical and nervous exhaustion.

KosiÅ„ski committed suicide on May 3, 1991, by ingesting a lethal amount of alcohol and drugs and wrapping a plastic bag around his head and suffocating to death. His suicide note read: "I am going to put myself to sleep now for a bit longer than usual. Call it Eternity."

Novels

KosiÅ„ski's novels have appeared on The New York Times Best Seller list, and have been translated into over 30 languages, with total sales estimated at 70 million in 1991.

The Painted Bird

The Painted Bird, KosiÅ„ski's controversial 1965 novel, is a fictional account that depicts the personal experiences of a boy of unknown religious and ethnic background who wanders around unidentified areas of Eastern Europe during World War II and takes refuge among a series of people, many of whom are brutally cruel and abusive, either to him or to others.

Soon after the book was published in the US, KosiÅ„ski was accused by the then-Communist Polish government of being anti-Polish, especially following the regime's 1968 anti-Semitic campaign. The book was banned in Poland from its initial publication until the fall of the Communist government in 1989. When it was finally printed, thousands of Poles in Warsaw lined up for as long as eight hours to purchase copies of the work autographed by KosiÅ„ski. Polish literary critic and University of Warsaw professor PaweÅ‚ Dudziak remarked that "in spite of the unclear role of its author,The Painted Bird is an achievement in English literature." He stressed that since the book is a work of fiction and does not document real-world events, accusations of anti-Polish sentiment may result only from taking it too literally.

The book received recommendations from Elie Wiesel who wrote in The New York Times Book Review that it was "one of the bestÂ ... Written with deep sincerity and sensitivity." Richard Kluger, reviewing it for Harper's Magazine wrote: "ExtraordinaryÂ ... literally staggeringÂ ... one of the most powerful books I have ever read." Jonathon Yardley, reviewing it for The Miami Herald, wrote: "Of all the remarkable fiction that emerged from World War II, nothing stands higher than Jerzy KosiÅ„ski's The Painted Bird. A magnificent work of art, and a celebration of the individual will. No one who reads it will forget it; no one who reads it will be unmoved by it."

However, reception of the book was not uniformly positive. After being translated into Polish, it was read by the people with whom the Lewinkopf family lived during the war. They recognized names of Jewish children sheltered by them (who also survived the war), depicted in the novel as victims of abuse by characters based on them. Also, according to Iwo Cyprian Pogonowski, The Painted Bird was KosiÅ„ski's most successful attempt at profiteering from the Holocaust by maintaining an aura of a chronicle. In addition, several claims that KosiÅ„ski committed plagiarism in writing The Painted Bird were leveled against him. (See 'Criticism' section, below.)

Steps

Steps (1968), a novel comprising scores of loosely connected vignettes, won the U.S. National Book Award for Fiction.

American novelist David Foster Wallace described Steps as a "collection of unbelievably creepy little allegorical tableaux done in a terse elegant voice that's like nothing else anywhere ever". Wallace continued in praise: "Only Kafka's fragments get anywhere close to where KosiÅ„ski goes in this book, which is better than everything else he ever did combined." Samuel Coale, in a 1974 discussion of KosiÅ„ski's fiction, wrote that "the narrator of Steps for instance, seems to be nothing more than a disembodied voice howling in some surrealistic wilderness."

Being There

One of KosiÅ„ski's most significant works is Being There (1971), a satirical view of the absurd reality of America's media culture. It is the story of Chance the gardener, a man with few distinctive qualities who emerges from nowhere and suddenly becomes the heir to the throne of a Wall Street tycoon and a presidential policy adviser. His simple and straightforward responses to popular concerns are praised as visionary despite the fact that no one actually understands what he is really saying. Many questions surround his mysterious origins, and filling in the blanks in his background proves impossible.

The novel was made into a 1979 movie directed by Hal Ashby, starring Peter Sellers, who was nominated for an Academy Award for the role and Melvyn Douglas, who won the award for Best Supporting Actor. The screenplay was co-authored by award-winning screenwriter Robert C. Jones with KosiÅ„ski. The film won the 1981 British Academy of Film and Television Arts (Film) Best Screenplay Award, as well as the 1980 Writers Guild of America Award (Screen) for Best Comedy Adapted from Another Medium. It was also nominated for the 1980 Golden Globes Best Screenplay Award (Motion Picture).

Criticism

According to Eliot Weinberger, an American writer, essayist, editor and translator, KosiÅ„ski was not the author of The Painted Bird. Weinberger alleged in his 2000 book Karmic Traces that KosiÅ„ski was not fluent in English at the time of its writing.

In a review of Jerzy KosiÅ„ski: A Biography by James Park Sloan, D. G. Myers, Associate Professor of English at Texas A&M University wrote "For years Kosinski passed off The Painted Bird as the true story of his own experience during the Holocaust. Long before writing it he regaled friends and dinner parties with macabre tales of a childhood spent in hiding among the Polish peasantry. Among those who were fascinated was Dorothy de Santillana, a senior editor at Houghton Mifflin, to whom Kosinski confided that he had a manuscript based on his experiences. Upon accepting the book for publication Santillana said, "It is my understanding that, fictional as the material may sound, it is straight autobiography." Although he backed away from this claim, Kosinski never wholly disavowed it.

M. A. Orthofer addressed Weinberger's assertion by saying: "Kosinski was, in many respects, a fake â€" possibly near as genuine a one as Weinberger could want. (One aspect of the best fakes is the lingering doubt that, possibly, there is some authenticity behind them â€" as is the case with Kosinski.) Kosinski famously liked to pretend he was someone he wasn't (as do many of the characters in his books), he occasionally published under a pseudonym, and, apparently, he plagiarized and forged left and right."

KosiÅ„ski himself addressed these claims in the introduction to the 1976 reissue of The Painted Bird, saying that "Well-intentioned writers, critics, and readers sought facts to back up their claims that the novel was autobiographical. They wanted to cast me in the role of spokesman for my generation, especially for those who had survived the war; but for me survival was an individual action that earned the survivor the right to speak only for himself. Facts about my life and my origins, I felt, should not be used to test the book's authenticity, any more than they should be used to encourage readers to read The Painted Bird. Furthermore, I felt then, as I do now, that fiction and autobiography are very different modes."

Plagiarism allegations

In June 1982, a Village Voice report by Geoffrey Stokes and Eliot Fremont-Smith accused KosiÅ„ski of plagiarism, claiming that much of his work was derivative of prewar books unfamiliar to English readers, and that Being There was a plagiarism of Kariera Nikodema Dyzmy â€" The Career of Nicodemus Dyzma â€" a 1932 Polish bestseller by Tadeusz DoÅ‚Ä™ga-Mostowicz. They also alleged KosiÅ„ski wrote The Painted Bird in Polish, and had it secretly translated into English. The report claimed that KosiÅ„ski's books had actually been ghost-written by "assistant editors", finding stylistic differences among KosiÅ„ski's novels. KosiÅ„ski, according to them, had depended upon his free-lance editors for "the sort of composition that we usually call writing." American biographer James Sloan notes that New York poet, publisher and translator, George Reavey, claimed to have written The Painted Bird for KosiÅ„ski.

The article found a more realistic picture of KosiÅ„ski's life during the Holocaust â€" a view which was supported by biographers Joanna Siedlecka and Sloan. The article asserted that The Painted Bird, assumed by some to be semi-autobiographical, was largely a work of fiction. The information showed that rather than wandering the Polish countryside, as his fictional character did, KosiÅ„ski spent the war years in hiding with a Polish Catholic family.

Terence Blacker, a profitable English publisher (who helped publish KosiÅ„ski's books) and author of children's books and mysteries for adults, wrote in his article published in The Independent in 2002:

"The significant point about Jerzy KosiÅ„ski was thatÂ ... his booksÂ ... had a vision and a voice consistent with one another and with the man himself. The problem was perhaps that he was a successful, worldly author who played polo, moved in fashionable circles and even appeared as an actor in Warren Beatty's Reds. He seemed to have had an adventurous and rather kinky sexuality which, to many, made him all the more suspect. All in all, he was a perfect candidate for the snarling pack of literary hangers-on to turn on. There is something about a storyteller becoming rich and having a reasonably full private life that has a powerful potential to irritate so that, when things go wrong, it causes a very special kind of joy."

D.G. Myers responded to Blacker's assertions in his review of Jerzy Kosinski: A Biography by James Park Sloan:

"This theory explains much: the reckless driving, the abuse of small dogs, the thirst for fame, the fabrication of personal experience, the secretiveness about how he wrote, the denial of his Jewish identity. 'There was a hollow space at the center of Kosinski that had resulted from denying his past,' Sloan writes, 'and his whole life had become a race to fill in that hollow space before it caused him to implode, collapsing inward upon himself like a burnt-out star.' On this theory, Kosinski emerges as a classic borderline personality, frantically defending himself againstÂ ... all-out psychosis.

Journalist John Corry, wrote a 6,000-word feature article in The New York Times in November 1982, responding and defending KosiÅ„ski, which appeared on the front page of the Arts and Leisure section. Among other things, Corry alleged that reports claiming that "Kosinski was a plagiarist in the pay of the C.I.A. were the product of a Polish Communist disinformation campaign."

KosiÅ„ski himself responded that he had never maintained that the book was autobiographical, even though years earlier he confided to Houghton Mifflin editor Santillana that his manuscript "draws upon a childhood spent, by the casual chances of war, in the remotest villages of Eastern Europe." In 1988, he wrote The Hermit of 69th Street, in which he sought to demonstrate the absurdity of investigating prior work by inserting footnotes for practically every term in the book. "Ironically," wrote theatre critic Lucy Komisar, "possibly his only true bookÂ ... about a successful author who is shown to be a fraud."

Despite repudiation of the Village Voice allegations in detailed articles in The New York Times, The Los Angeles Times, and other publications, KosiÅ„ski remained tainted. "I think it contributed to his death," said Zbigniew Brzezinski, a friend and fellow Polish emigrant.

TV, radio, film, and newspaper appearances

KosiÅ„ski appeared 12 times on The Tonight Show Starring Johnny Carson during 1971â€"73, and The Dick Cavett Show in 1974, was a guest on the talk radio show of Long John Nebel, posed half-naked for a cover photograph by Annie Leibovitz for The New York Times Magazine in 1982, and presented the Oscar for screenwriting in 1982.

He also played the role of Bolshevik revolutionary and Politburo member Grigory Zinoviev in Warren Beatty's film Reds. The Time magazine critic wrote: "As Reed's Soviet nemesis, novelist Jerzy Kosinski acquits himself nicelyâ€"a tundra of ice against Reed's all-American fire." Newsweek complimented Kosinski's "delightfully abrasive" performance.

Friendships

KosiÅ„ski was friends with Roman Polanski, with whom he attended the National Film School in ÅÃ³dÅº, and said he narrowly missed being at Polanski and Sharon Tate's house on the night Tate was murdered by Charles Manson's followers in 1969, due to lost luggage. His novel Blind Date discussed the Manson murders.

In 1984, Polanski denied KosiÅ„ski's story in his autobiography. Journalist John Taylor of New York Magazine believes Polanski was mistaken. "Although it was a single sentence in a 461-page book, reviewers focused on it. But the accusation was untrue: Jerzy and Kiki had been invited to stay with Tate the night of the Manson murders, and they missed being killed as well only because they stopped in New York en route from Paris because their luggage had been misdirected." The reason why Taylor believes this, is that "a friend of KosiÅ„ski's wrote a letter to the Times, which was published in the Book Review, describing the detailed plans he and Jerzy had made to meet that weekend at Polanski's house on Cielo Drive. Few people saw the letter." The NYM article does not contain the name of this friend, nor the particular issue of the Book Review in which this letter is supposed to have been published, nor names of the 'few' who may have read the letter.

KosiÅ„ski was also friends with Wojciech Frykowski and Abigail Folger. He introduced the couple.

KosiÅ„ski wrote his novel Pinball (1982) for his friend George Harrison, having conceived of the idea for the book at least ten years before writing it.

Interests

KosiÅ„ski practiced the photographic arts, with one-man exhibitions to his credit in Warsaw's Crooked Circle Gallery (1957), and in the Andre Zarre Gallery in New York (1988). He watched surgeries, and read to terminally ill patients.

KosiÅ„ski was also very interested in polo, and compared himself to a character from his novel Passion Play: "The character, Fabian, is at the mercy of his aging and his sexual obsession. It's my calling card. I'm 46. I'm like Fabian."

Bibliography

The Future Is Ours, Comrade: Conversations with the Russians (1960), published under the pseudonym "Joseph Novak"
No Third Path (1962), published under the pseudonym "Joseph Novak"
The Painted Bird (1965)
The Art of the Self: Essays Ã propos Steps (1968)
Steps (1968)
Being There (1970)
The Devil Tree (1973, revised & expanded 1982)
Cockpit (1975)
Blind Date (1977)
Passion Play (1979)
Pinball (1982)
The Hermit of 69th Street (1988)
Passing By: Selected Essays, 1962â€"1991 (1992)

Filmography

Being There (novel and screenplay, 1979)
Reds (actor, 1981)
The Statue of Liberty (self, 1985)
ÅÃ³dÅº Ghetto (film) (voice of Mordechai Chaim Rumkowski, 1989)
Religion, Inc. (actor, 1989)

Awards and honors

Prix du Meilleur Livre Ã‰tranger (French award for best foreign work of fiction) for The Painted Bird
1969 â€" National Book Award for Steps.
1970 â€" Award in Literature, National Institute of Arts and Letters and American Academy of Arts and Letters.
1973â€"75 â€" President of the American Chapter of P.E.N. Re-elected 1974, serving the maximum permitted two terms.
1974 â€" B'rith Shalom Humanitarian Freedom Award.
1977 â€" American Civil Liberties Union First Amendment Award.
1979 â€" Writers Guild of America, East Best Screenplay Award for Being There (shared with screenwriter Robert C. Jones).
1980 â€" Polonia Media Perspectives Achievement Award.
1981 â€" British Academy of Film and Television Arts (BAFTA) Best Screenplay of the Year Award for Being There.
International House Harry Edmonds Life Achievement Award.
Received Ph.D. Honoris Causa in Hebrew Letters from Spertus College of Judaica.
1988 â€" Received Ph.D. Honoris Causa in Humane Letters from Albion College, Michigan.
1989 â€" Received Ph.D. Honoris Causa in Humane Letters from State University of New York at Potsdam.

References

External links

Jerzy KosiÅ„ski at the Internet Movie Database
Katherina von Fraunhofer-Kosinski Collection of Jerzy Kosinski. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
Jerzy KosiÅ„ski at Culture.pl

Jerzy KosiÅ„ski

Sunday, May 17, 2015

Jerzy KosiÅ„ski

Early life, teaching, and marriage

Death

Novels

The Painted Bird

Steps

Being There

Criticism

Plagiarism allegations

TV, radio, film, and newspaper appearances

Friendships

Interests

Bibliography

Filmography

Awards and honors

References

Further reading

Books

Articles

Biographical accounts

External links

Sunday, May 17, 2015

Jerzy KosiÅ„ski

Early life, teaching, and marriage

Death

Novels

The Painted Bird

Steps

Being There

Criticism

Plagiarism allegations

TV, radio, film, and newspaper appearances

Friendships

Interests

Bibliography

Filmography

Awards and honors

References

Further reading

Books

Articles

Biographical accounts

External links

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